A face for radio

Many years ago, when I still thought I’d lead a glamorous life in the meejah, I read radio news for a living. And it’s a medium I adore – the focus on words, the invisibility of it, so that, when you’re talking to thousands, it still feels as cosy as your own bedroom. Yesterday I got to be on the other side of the desk at Broadcasting House, away from the twiddly buttons and faders, and sadly without cans. But it was the most fun talking about books, and politics, and swearing in Essex as a small girl.

(It was BBC London, not Radio 1, but thanks to my friend Dave I got to play in all the studios, and wave at Scott Mills, who ignored me pointedly despite our heady halcyon days at Heart 106.2 lamenting the drive shift together.)

And you can listen here. (PG Warning: contains mild swears.)

About Joanna Nadin

A former broadcast journalist and special adviser to the prime minister, since leaving politics I’ve written more than 80 books for children and adults, as well as speeches for politicians, and articles for newspapers and magazines like The Guardian, Red and The Amorist. I also lecture in Creative Writing at Bath Spa University, and hold a doctorate in young adult literature. I’m a winner of the Fantastic Book Award and the Surrey Book Award, and have been shortlisted for the Roald Dahl Funny Prize, the Booktrust Best Book award and Queen of Teen among others, and twice nominated for the Carnegie Medal, for Everybody Hurts, and for Joe All Alone, which is now a BAFTA-winning and Emmy-nominated BBC TV series. I've also worked with Sir Chris Hoy on the Flying Fergus series and ghost-written Angry Birds under another name. I like London, New York, Essex, tea, cake, Marmite, mint imperials, prom dresses, pubs, that bit in the West Wing where Donna tells Josh she wouldn’t stop for a red light if he was in an accident, junk shops, crisps, Cornwall, St Custard’s, Portuguese custard tarts, political geeks, pin-up swimsuits, the Regency, high heels, horses, old songs, my Grandma’s fur coat, vinyl, liner notes, the smell of old books, the feel of a velveteen monkey, Guinness, quiffs, putting my hand in a bin of chicken feed, the 1950s, burlesque, automata, fiddles, flaneuring, gigs in fields on warm summer nights, Bath, the bath.
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